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The San people of Southern Africa created art on the walls of caves, but what makes them similar to the art movement in Europe called Cubism?

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The San people of Southern Africa and the art movement in Europe called Cubism share similarities in their use of geometric shapes and abstraction. 

San rock art features simplified forms and patterns that often represent animals and human figures. These forms are often stylized and abstracted, reducing the subject to its most basic geometric shapes. Similarly, Cubism is characterized by the use of geometric shapes and simplified forms that often depict multiple viewpoints of the same subject.

Both San rock art and Cubism challenge traditional notions of representation and perspective, favoring a more abstract and stylized approach. While the San people and the Cubists were separated by time and geography, their art shares a common interest in abstraction and the use of geometric shapes.
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Cubism and San rock art share a focus on abstraction and multiple perspectives. Both art forms challenge traditional notions of representation and depict subjects from different angles, breaking them down into geometric shapes or stylized forms.
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Both Cubism and San rock art depict subjects from multiple perspectives, challenging traditional notions of representation and emphasizing the complexity and fragmentation of forms.They both convey a sense of abstraction.
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Cubism, a persuasive craftsmanship development in the mid-twentieth 100 years, and San rock workmanship, a type of ancient stone craftsmanship tracked down in southern Africa, share specific shared traits. Both imaginative styles split away from conventional illustrative workmanship by utilizing deliberation and non-reasonable portrayals. Cubism takes apart items into mathematical shapes, introducing numerous perspectives at the same time, while San rock workmanship uses conceptual images and examples to convey meaning. Both works of art challenge traditional viewpoints and embrace elective methods of visual articulation. They mirror a takeoff from severe authenticity and stress the investigation of structure, imagery, and the reevaluation of visual portrayal.
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Cubism and San rock art, two distinctive art forms from different corners of the world, exhibit notable similarities. Emerging during the mid-twentieth century, Cubism and San rock art share certain fundamental characteristics that set them apart from conventional representational art. Both styles depart from realism by employing abstraction and non-representational depictions.

Cubism, as an artistic movement, deconstructs objects into geometric shapes, presenting multiple perspectives simultaneously. This technique challenges the traditional approach of depicting objects from a single viewpoint. Conversely, San rock art utilizes abstract symbols and patterns to convey meaning. The emphasis is placed on visual representation that goes beyond literal interpretations.

In essence, both art forms challenge conventional norms and embrace alternative modes of visual expression. They signify a departure from strict realism and highlight the exploration of form, symbolism, and the reinterpretation of visual representation.
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Both Cubism and San rock art involve breaking down complex forms into geometric shapes. Cubist artists, such as Pablo Picasso and Georges Braque, used geometric shapes to represent objects from multiple viewpoints simultaneously. Similarly, the San people used geometric shapes to represent animals and other subjects in their rock art, often depicting them in a stylized and abstracted form. Both styles of art challenge traditional ideas of representation and perspective, and encourage the viewer to see the world in new and different ways.
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Cubism and The San rock art have in common the use of geometric shapes and fragmentation of the image. 

Both art movements break down the subject into smaller parts, and represent it from multiple viewpoints. 

Cubism, influenced by African tribal art, also shows a connection with the simplified forms and flat planes of ancient rock art. 

The San rock art, created by hunter-gatherer societies in Southern Africa, depicts human figures and animals in a stylized and abstract form.
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Both cubism and San rock art break down subjects into geometric shapes and multiple perspectives challenging traditional notions of representation.
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With their vital sculptures and masks, African artists invented the aesthetics that would later inspire the so-popular Cubist styles. Their abstract and dramatic effects on the simplified human figure date far earlier than the most-celebrated Picasso and extend beyond the Cubism movement itself.
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  1. Trade and Commerce: Islamic societies were major players in global trade routes, connecting Asia, Africa, and Europe. Cities like Constantinople (now Istanbul), Alexandria, and Baghdad were centers of commerce, allowing for the exchange of goods, ideas, and cultures.

  2. Legal and Scholarly Traditions: Islamic societies have developed intricate legal systems based on Islamic jurisprudence. Islamic scholars also produced extensive works on religious law, theology, and philosophy.

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Cubism and San rock art share some common characteristics, including:

**Abstraction:** Both Cubism and San rock art abstract natural forms, breaking them down into geometric shapes and simple lines.

**Multiple perspectives:** Cubist artists often depicted multiple perspectives of an object in a single painting, while San rock artists often layered different figures and objects on top of each other.

**Flattened picture plane:** Cubist artists typically flattened the picture plane, meaning that they did not create a sense of depth in their paintings. San rock art is also typically two-dimensional, with little or no use of perspective.

**Symbolism:** Both Cubism and San rock art use symbols to convey meaning. Cubist artists often used symbols from the modern world, such as newspapers and machinery, while San rock artists used symbols from their natural environment, such as animals and plants.

In addition to these shared characteristics, Cubism and San rock art also differ in several ways. Cubism is a Western art movement that developed in the early 20th century, while San rock art is a prehistoric art tradition that dates back thousands of years. Cubist art is typically created using modern materials such as oil paint and canvas, while San rock art is typically created using natural materials such as ochre and charcoal.

Despite their differences, Cubism and San rock art are both fascinating and important art traditions. They offer insights into the different ways that people have thought about and depicted the world around them.
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Cubism and the San rock art from southern Africa share a few similarities, despite being created in very different times and places. One similarity is that both art forms rely heavily on geometric shapes and lines to create their compositions. Cubism was known for its flattened, two-dimensional planes of color and form, while the San rock art often features geometric shapes like circles, triangles, and squares. Additionally, both art forms often feature stylized depictions of people and animals, rather than a realistic representation. The use of negative space is also a common feature of both Cubism and the San rock art.
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Cubism and San rock art shared a connection in terms of their approach to depicting and representing subjects. Both artistic forms involve a departure from traditional, naturalistic representations.

In Cubism, artists like Pablo Picasso and Georges Braque fragmented and reassemble objects and figures in a geometric, abstract manner, presenting multiple viewpoints simultaneously. This technique challenges the conventional ways of depicting space and form.

Similarly, San rock art, created by the San people of southern Africa, often employs a non-naturalistic and abstract style. The art features geometric shapes, patterns, and symbolic representations rather than realistic portrayals of animals or people.

Similarly, both Cubism and San rock art represent a departure from realism, embracing abstraction and unconventional ways of conveying meaning and expression in art. 
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Both cubism and San rock art are known for their use of geometric shapes and angles to create an abstract representation of the world around us. Cubism was an early 20th century art movement pioneered by artists like Picasso and Braque that explored the deconstruction of form and representation. San rock art is a style of prehistoric painting found in Southern Africa that often features stylized, geometric representations of animals, people, and other subjects. While the two styles were developed in very different historical contexts, they share a common visual language that challenges traditional perspectives on the world.
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Cubism and San rock workmanship share a shared trait in their deliberation of structure. Both fine arts separate items into mathematical shapes and portray them according to different viewpoints all the while. Cubism, spearheaded by specialists like Pablo Picasso and Georges Braque in the mid twentieth 100 years, tried to address the intricacy of items by introducing various perspectives in a solitary plane.

Essentially, San rock craftsmanship, made by the native San individuals of southern Africa, frequently utilizes a type of visual narrating utilizing mathematical shapes and examples. These portrayals may not stick to practical extents but rather convey fundamental components of the topic. Fundamentally, both Cubism and San rock craftsmanship challenge customary authentic styles by embracing reflection and different perspectives.
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Cubism, an art movement pioneered by Pablo Picasso and Georges Braque in the early 20th century, and San rock art, created by the San people of Southern Africa over thousands of years, share some intriguing similarities despite their differences in time, culture, and context.

Geometric Forms: Both Cubism and San rock art involve the depiction of forms through geometric shapes. In Cubism, objects are fragmented and represented from multiple viewpoints simultaneously, while San rock art often utilizes geometric patterns to depict animals, humans, and symbols.

Abstraction and Symbolism: Both art forms rely on abstraction and symbolism. Cubism abstracts objects into basic geometric shapes, and San rock art uses abstract symbols and shapes to convey meaning, often depicting spiritual or hunting scenes.

Breaking from Traditional Representation: Both styles challenged traditional modes of representation. Cubism revolutionized Western art by breaking away from realistic representation, while San rock art expressed the world in symbolic and stylized forms rather than realistic depictions.

Focus on Multiple Perspectives: Cubism embraced the concept of showing multiple viewpoints simultaneously, and similarly, some San rock art depicted animals or scenes from various angles in the same composition, suggesting movement or a narrative.

While these connections exist, it's essential to note that Cubism emerged in a different cultural and artistic context, influenced by various factors distinct from the creation of San rock art. However, the geometric abstraction and departure from conventional representation are intriguing parallels between these artistic expressions.
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The art created by the San people of Southern Africa and the European Cubism movement share similarities in their abstraction of forms and representation. Both incorporate geometric shapes and a departure from realistic depiction, emphasizing a more symbolic and expressive approach to art. The San rock art often features simplified forms and distorted perspectives, aligning with the principles of abstraction found in Cubism.
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